A Pictorial Review of Body Melt (1993, Australia)

No, this is not a review of a 90s R&B album! As a matter of fact this is a Cronenberg-ian body horror ride from the rough guts of Melbourne (Melbin), Australia on the tail end of their New Wave Punk scene. It’s directed by Philip Brophy, former drummer of performance punk band, ➡⬆➡ (Pronounced tsc-tsc-tsc … More A Pictorial Review of Body Melt (1993, Australia)

A Red-Letter Review of Vito Trabucco’s Bloody Bloody Bible Camp (2012)

Virtues: Bloody Bloody Bible Camp fills every promise it makes in its premise and title. It’s a campy camp slasher with a biblical twist. There are quite a few top-notch kills, my favorite probably being this one: Take a drink for every dick joke and you’ll get to where you need to be to enjoy … More A Red-Letter Review of Vito Trabucco’s Bloody Bloody Bible Camp (2012)

[Off-Putting Ride Metaphor] CarousHELL (2016)

“Look, a horse.” “No, that’s a unicorn.” “What’s the difference?” “Horn coming out of its head.” ~Actual dialog from CarousHell In Steve Rudzinski’s Murdercorn movie a carousel unicorn breaks free from its ride prison (due to a “blood-borne pathogen” (a plotline that was ditched pretty early on because second drafts are bullshit amIrigh?) and- more … More [Off-Putting Ride Metaphor] CarousHELL (2016)

The Merits of Sin: Nikos the Impaler (2003) (Germany)

Oh Andreas Schnaas, you knew what you liked and you never stopped doing it. Familiarity has been known to breed contempt but it can also feel like slipping into a toasty pair of underpants on a particularly cold day. Schnaas is warm underwear, gore soaked but still nice and toasty. In 1002 A.D. a brutal … More The Merits of Sin: Nikos the Impaler (2003) (Germany)